Relationship Spread #2

Difficulty: Easy

This relationship spread focuses more on the common ground of the relationship, with three cards in the middle column showing the common ground. The middle column essentially displays the past, present, and future of the relationship.

Card #4 stands for the common base of the relationship, which may be thought of as the past events which have shaped their characters, bringing them together. The current connection that binds them together is Card #3, indicating the values shared. Card #7 implies the common goals that would keep the pair together moving into the future.

The columns on either side show what each partner brings to the table. Remember, relationships need not be romantic, and the partners could even be groups rather than individuals. In this layout, the other person is on the left-hand side and the reader on the right.

Cards #1 & #2 indicate the separate personalities of each member of the relationship. These cards form a sort of bridge with the cards beneath them, #5 & #6, which show the qualities that each partner offers the other person, and thus to the relationship as a whole.

Your Relationship #2 Reading

	Mutual Goals
Your Qualities	Connection (Present)	Others' Qualities
What You Bring	Common Base (Past)	What They Bring

The illustration represents growth, nature and fertility. One can see certain fruits, including two pomegranates (fertility). The ears of corn represent the Empress' secret crown. The apple is in the shape of a heart. The three fish in the water symbolise feelings and emotionalism, as well as the Empress' figure three.

The illusion of a bowl, in which the fruit is lying, can be connected with conception, the uterus and with pregnancy. The trees present slow growth. The Empress is holding her sceptre in her left hand.

A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.

The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.

The strong helmet protects the prince, while, with eyes closed and head bent forward, he is demolishing the hard wall. Some bricks are falling down. A part of the wall looks like a bookcase.

This is all about ancient knowledge and opinions, the details of which are being asked about or, in the truest sense of the word, which are being blown into mid-air. However, with his eyes closed the prince cannot take into consideration what he is throwing around.

The sprouting seed refers to actual growth. The heart leads two ends together into a point. The house offers an outward protection for a partnership for life.

The child (small hand) shows itself as being an actual product of its parents' love. The snake suggests that the child will carry this cycle on, one day, as a parent.

The many different types of mushrooms fascinate the princess. Each one of them is like a precious stone. She collects everything she finds without considering what to do with them. As one can see, some of the mushrooms are poisonous. Her curiosity and openness can also be a danger to her.

She is in the country. The busy mice look like friends or brothers and sisters.

The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.

The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.