Relationship Spread #2

Difficulty: Easy

This relationship spread focuses more on the common ground of the relationship, with three cards in the middle column showing the common ground. The middle column essentially displays the past, present, and future of the relationship.

Card #4 stands for the common base of the relationship, which may be thought of as the past events which have shaped their characters, bringing them together. The current connection that binds them together is Card #3, indicating the values shared. Card #7 implies the common goals that would keep the pair together moving into the future.

The columns on either side show what each partner brings to the table. Remember, relationships need not be romantic, and the partners could even be groups rather than individuals. In this layout, the other person is on the left-hand side and the reader on the right.

Cards #1 & #2 indicate the separate personalities of each member of the relationship. These cards form a sort of bridge with the cards beneath them, #5 & #6, which show the qualities that each partner offers the other person, and thus to the relationship as a whole.

Your Relationship #2 Reading

	Mutual Goals
Your Qualities	Connection (Present)	Others' Qualities
What You Bring	Common Base (Past)	What They Bring

The sketch quotes the picture from the Raider-Waite deck. Eight wands are flying through the air.

The picture shows a closed eye. A lot is still taking place inwardly. The heart and water in a way are being crossed out. Emotions have to be left out for the moment.

The varying thoughts seem to influence one another. Both hands are open. Each thought is equally valuable at the moment.

The strong helmet protects the prince, while, with eyes closed and head bent forward, he is demolishing the hard wall. Some bricks are falling down. A part of the wall looks like a bookcase.

This is all about ancient knowledge and opinions, the details of which are being asked about or, in the truest sense of the word, which are being blown into mid-air. However, with his eyes closed the prince cannot take into consideration what he is throwing around.

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The orangey-yellow colour of the picture symbolises fire; the green colour portrays fertility and growth. The sunflowers also testify a connection between energy and growth.

The throne gives the impression of a sun-queen; the creases on her skirt point to sexual energy, her red hair is tied back. The black cat, with its back to us, stands for independence and magic powers. There is a precious stone on the queen's crown, this connects her to the magician's figure one.

The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.

The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.