Relationship Spread #1

Difficulty: Easy

This tarot spread is easy to read, like a convenient chart. In this spread, court cards generally indicate actual people with the same characteristics. Knights (or corresponding princes, but not kings) and queens are meant to represent actual men and women in this tarot spread. Look for patterns in the cards as always.

Card #1 is the overall significator of the relationship. The two columns on either side of the significator characterise each individual's role in the relationship. The relationship does not have to be romantic. In fact, it could be a relationship between a person and a group, or even how two groups relate.

The top row, cards #7 & #2, is about the conscious thoughts of each person, or what they think about the relationship and likewise how they view their partner.

The middle row, cards #6 & #3, reveals the way each individual feels about the other. Emotional awareness corresponds to a person's unconscious thoughts that run deep, affecting a person in ways he or she is not fully aware of.

The bottom row, cards #5 & #4, represents the way each person behaves, in other words the stance taken regarding the relationship. The way a person acts may be genuine, but sometimes people are phony and manipulative, so it is best to weigh this card against the other person's cards to determine how they match up.

Your Relationship #1 Reading

	You		Other Person
Thought	The Lovers		3 of Wands
Emotion	Prince of Coins	The Significator The Magician	4 of Wands
External Stance	9 of Swords		Judgement

The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.

The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.

The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.

The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.

In front of the rising sun the first posts are being erected for the building of a new house. The hand has taken a firm hold of the wand; part of the wall has already been erected.

The wall symbolises the appearance of our conceptions. The mountains in the background show the definite ideas and conceptions that will materialise in the future.

The fields and fruit trees are well kept and managed. Everything seems to be in order. The harvest is certain to turn out well. Apart from a few gold buttons, the prince does without any jewellery. His facial expression mirrors his pride in his performance, but at the same time a certain submissiveness.

The colours portray richness of energy as well as naturalness and balance. The trees are young, which shows the garden has just been laid out. The small fir tree, put up for the topping-out ceremony, is still standing on the roof of the house.

The garden-gate is open and the hand is making an inviting gesture. The wall, however, gives a certain amount of protection and the door can also be closed.

The number four, noticeable in the clouds, in the number of trees and the style of the building stones, emphasise materialism. The mountains in the background indicate that this is most probably not the last project of its sort.

The swords look like teeth, which at any moment could bite. The hands are held up for protection. The eye wants to open, but its vision is obstructed.

The waning moon emphasises the existing fear. The sunrise is at hand. Roses promise development, joy of life and the coming forth of emotions in the near future.

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.