Relationship Spread #1

Difficulty: Easy

This tarot spread is easy to read, like a convenient chart. In this spread, court cards generally indicate actual people with the same characteristics. Knights (or corresponding princes, but not kings) and queens are meant to represent actual men and women in this tarot spread. Look for patterns in the cards as always.

Card #1 is the overall significator of the relationship. The two columns on either side of the significator characterise each individual's role in the relationship. The relationship does not have to be romantic. In fact, it could be a relationship between a person and a group, or even how two groups relate.

The top row, cards #7 & #2, is about the conscious thoughts of each person, or what they think about the relationship and likewise how they view their partner.

The middle row, cards #6 & #3, reveals the way each individual feels about the other. Emotional awareness corresponds to a person's unconscious thoughts that run deep, affecting a person in ways he or she is not fully aware of.

The bottom row, cards #5 & #4, represents the way each person behaves, in other words the stance taken regarding the relationship. The way a person acts may be genuine, but sometimes people are phony and manipulative, so it is best to weigh this card against the other person's cards to determine how they match up.

Your Relationship #1 Reading

	You		Other Person
Thought	8 of Cups		10 of Swords
Emotion	The High Priestess	The Significator Strength	Prince of Wands
External Stance	3 of Wands		5 of Swords

A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.

The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.

Seven cups are covered with a cloth, so that they won't be damaged during absence. A cup is being held in the left hand and a sword in the right. They look like a complementary couple.

There is water to the right and left of the path and one must take care not to tread in it. In the background we can see the Hermit's hut and several hills, which could turn out to be mountains. The waxing moon shows uncertainty. The journey might not be too easy.

Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.

The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.

The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.

The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.

The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.

He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.

In front of the rising sun the first posts are being erected for the building of a new house. The hand has taken a firm hold of the wand; part of the wall has already been erected.

The wall symbolises the appearance of our conceptions. The mountains in the background show the definite ideas and conceptions that will materialise in the future.

The middle sword divides the scene. It symbolises disconnection in itself and is the only one that has remained whole.

The 'winner's' sword, decorated with a laurel wreath, seems to be less bent than that of the 'loser', but it is also unusable. The pierced heart shows the 'loser's' certainty of having injured his enemy in the worst possible way.

The dark colours in the picture show that it is a matter of something unpleasant. The energetic connection, portrayed by the waves at the top and bottom, has been cut off.