Secret of the High Priestess Spread

Difficulty: Average

This spread makes a nice alternative to the Celtic Cross, which covers basically the same ground. It is useful when a question doesn't quite call for the Ankh spread. This tarot spread is helpful for looking into a current trend. The High Priestess may or may not present a mysterious secret to be analysed after the rest of the spread.

1. & 2. Main impulses representing the topic at hand. They may compliment or oppose one another.

3. This is the current influence at this time.

5. The Waning Moon is the influence that is moving into the past.

4. The Waxing Moon indicates what is on the horizon, or the approaching influence. This is the immediate future.

7. The Light is what is clearly recognized, consciously.

6. The Dark indicates what is there but not fully perceived, though noticed on a deeper level of consciousness.

8. The Next Step is the near future, where this journey leads.

9. The final tarot card, only if it happens to be of the Major Arcana, reveals the Secret of the High Priestess. This is a special message that should be given added weight.

Your Secret of the High Priestess Reading

The Waxing Moon 8 of Swords	The Full Moon Death		The Waning Moon 10 of Swords
	Significator #1 4 of Coins	Significator #2 4 of Wands
The Dark 7 of Coins	The Secret of the High Priestess The Hanged Man		The Light Ace of Coins
	The Next Step 10 of Coins

Significator #1 

The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.

The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.

Significator #2 

The colours portray richness of energy as well as naturalness and balance. The trees are young, which shows the garden has just been laid out. The small fir tree, put up for the topping-out ceremony, is still standing on the roof of the house.

The garden-gate is open and the hand is making an inviting gesture. The wall, however, gives a certain amount of protection and the door can also be closed.

The number four, noticeable in the clouds, in the number of trees and the style of the building stones, emphasise materialism. The mountains in the background indicate that this is most probably not the last project of its sort.

The Waning Moon is the influence that you are putting behind you, as it moves into the past. 

Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.

The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.

The Full Moon is the current influence at this time. 

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The Waxing Moon indicates what is on the horizon; the approaching influence. 

The swords look like a cage. The eye is closed; it is looking into the inner vision; it is trying not to be aware of its own feelings. Some of the fingers are being dipped in the water; there is already contact here. The colours blue and pink show the strong contrast between understanding and emotions, which are trying clear the way for themselves.

The Light is what is clearly recognized. 

All the elements are present on the picture, because the element, earth, actually contains all the other elements. The pentacle, as the fourth element, is mounted in a square frame, emphasising its relationship with the number four.

The Dark shows what is there but not fully perceived, though it has been noticed on a deeper level of consciousness. 

Seven pentacles are lying on a heap of leaves which is being swept up. They look like unusable fruit. Two tears show that the sweeper is grieving over his lost harvest. The star in the background suggests that the loss is small in comparison with the high goal which is being aimed at.

The Next Step is the near future, where this journey will take you. 

The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).

The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.

The Secret of the High Priestess - if, and only if, this card a Major Arcana, it reveals the Secret of the High Priestess. This is a special spiritual message that you should pay extra special attention to. If it is not a trump, the Priestess has revealed no secret. 

The sole of the foot is turned upwards, the world is turned upside down. This is what the picture shows. The beam and the rope are blue. Rationality, an attempt to consciously act, binds the hanged man. But here there also seems to be hope. Leaves are growing out of wood.

The colour yellow at the bottom of the picture stands for the light which the hanged man experiences when he manages to let himself fall. The wide path in the background leads to a dead-end against blue rocks. Walking back a bit one can find a narrow track which leads around the rocks back into the light. The violet background portrays the night sky. Normal vision is not carried any further.