Path Spread

Difficulty: Easy

For the Path reading, one asks for suggestions how to behave properly to achieve a desired result. The Current column represents how the reader has been acting, and the Suggestedcolumn suggests how they should act to achieve a certain goal. The chart-like spread uses the standard three levels: Rational, Emotional, and External Stance (how one projects oneself outwardly). When comparing the Current and Suggested cards, the most important thing is to notice the differences between the two cards. It is these differences which hint at the behaviours that should be altered.

Card #1 is the significator, the card which should reflect the nature of the query and/or the desired outcome.

Card #2 shows the way the reader is and has been thinking. Card #7 suggests how to change the way one thinks to serve themselves better.

Card #3 suggests the reader's emotional attitude. Though it may seem difficult to manipulate one's own emotions, it can be done if one puts their mind to it. For example, acting a certain way such as smiling intently for a few minutes will lead the emotions to follow. When a person tries this, as silly as the exercise seems, they find this to evoke the emotion of happiness. For this reading, one should try to make themselves feel the way that Card #6 suggests.

External Stance means how one acts outwardly, how they hope others see them. Card #4 is about how the reader has been acting, while #5 indicates how they should act outwardly, for other people's sake. It is the differences between these cards that hint at what behaviour patterns should be altered.

Your Path Reading

	Current	The Significator Prince of Cups	Suggested
Thought	5 of Coins		10 of Swords
Emotion	Ace of Coins		10 of Wands
External Stance	The Chariot		6 of Swords

By winking, the prince is trying to make the marshy spot more attractive for a bathe. The content of his cup doesn't look like water. The sun brightens the scene, although the first cloud has already appeared.

Wealth and poverty are separated by a wall. The rich man is wearing white gloves. He doesn't want to get his fingers dirty. The poor man has a missing middle-finger, the centre has been lost. His stick is brittle.

The colour blue separates the colours red and yellow from brown and green. The yellow is similar to gold. Red used to belong to the most expensive colours. Green is also the colour of mould and brown is the colour which at first appears to be inert.

The candle is helping the poor man to find sense and the distant path, as far as he is aware of them.

Letting go of rationality is shown here as a dissolving process. Nine swords are cutting up a tenth sword, the point of which is melting and with this fluid wets the other nine swords.

The hand is injured by the four lower swords and is opening up; two drops of blood can be seen. It is not clear how many of the swords are or should be melting. The sun rising in the background brings with it new strength.

All the elements are present on the picture, because the element, earth, actually contains all the other elements. The pentacle, as the fourth element, is mounted in a square frame, emphasising its relationship with the number four.

The intensity of the Nine of Wands diminishes in the Ten of Wands. The colours are paler; it seems more difficult to hold the wands together; at the same time the small flames are burning both hands, the leaves are beginning to wither.

The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.

The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.

Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.

The hand is fairly big, which makes the boot seem small and unsteady. It is consciously trying to keep in contact with the water and the creatures living in it.

Six swords are on board and are supposed to be giving protection. The scene is dark and a little sinister. The colours portray a mixture of emotionality and consciousness. The moon is waxing. The path through uncertainties and fears can take time.