Path Spread

Difficulty: Easy

For the Path reading, one asks for suggestions how to behave properly to achieve a desired result. The Current column represents how the reader has been acting, and the Suggestedcolumn suggests how they should act to achieve a certain goal. The chart-like spread uses the standard three levels: Rational, Emotional, and External Stance (how one projects oneself outwardly). When comparing the Current and Suggested cards, the most important thing is to notice the differences between the two cards. It is these differences which hint at the behaviours that should be altered.

Card #1 is the significator, the card which should reflect the nature of the query and/or the desired outcome.

Card #2 shows the way the reader is and has been thinking. Card #7 suggests how to change the way one thinks to serve themselves better.

Card #3 suggests the reader's emotional attitude. Though it may seem difficult to manipulate one's own emotions, it can be done if one puts their mind to it. For example, acting a certain way such as smiling intently for a few minutes will lead the emotions to follow. When a person tries this, as silly as the exercise seems, they find this to evoke the emotion of happiness. For this reading, one should try to make themselves feel the way that Card #6 suggests.

External Stance means how one acts outwardly, how they hope others see them. Card #4 is about how the reader has been acting, while #5 indicates how they should act outwardly, for other people's sake. It is the differences between these cards that hint at what behaviour patterns should be altered.

Your Path Reading

	Current	The Significator 5 of Coins	Suggested
Thought	Ace of Coins		The Chariot
Emotion	7 of Cups		King of Swords
External Stance	4 of Coins		The Devil

Wealth and poverty are separated by a wall. The rich man is wearing white gloves. He doesn't want to get his fingers dirty. The poor man has a missing middle-finger, the centre has been lost. His stick is brittle.

The colour blue separates the colours red and yellow from brown and green. The yellow is similar to gold. Red used to belong to the most expensive colours. Green is also the colour of mould and brown is the colour which at first appears to be inert.

The candle is helping the poor man to find sense and the distant path, as far as he is aware of them.

All the elements are present on the picture, because the element, earth, actually contains all the other elements. The pentacle, as the fourth element, is mounted in a square frame, emphasising its relationship with the number four.

The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.

The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.

Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.

Six cups contain symbols which refer to themes of illusions. The themes are intoxication (alcohol), gambling and fortune-telling (playing-cards), successful thoughts (laurel-wreath), sex and beauty (woman), wish-fulfilment (island) and wealth (money and jewels). The star in the seventh cup symbolises the vision which has to be followed.

The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.

The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.

The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.

The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.

The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.

The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.