Horse Shoe Spread

Difficulty: Easy

The Horse Shoe is a classic tarot spread. It is more advanced than the three-card reading, yet simpler than most other spreads. It is a versatile method that can be used for most queries, though there are other spreads which would go into more depth. Like the simple Past, Present, and Future spread, it contains these cards in positions #1, #2, and #7, but also has four other tarot cards that help the reader understand how to deal with the future better. The cards are to be read as follows:

1. The Past: Past events affecting the question.
2. The Present: The current state or approaching influence.
3. Hidden Influences: Things the reader may not be aware of (or barely be aware of).
4. Obstacles: This is the challenge: obstacles may be avoided or may have to be dealt with.
5. External Influences: Attitudes and thoughts regarding people around the reader.
6. Suggestions: Recommended course of action.
7. Outcome: The result of following the suggestions.

Your Horse Shoe Reading

	Obstacle 5 of Coins
Hidden Influences 4 of Coins		External Influences The Emperor
The Present Ace of Swords		Suggestion The Wheel of Fortune
The Past Princess of Swords		The Outcome Prince of Wands

She looks suspicious, she is holding her sword, ready for action. She needs to be at a distance from the castle, which is too near, but she wants to feel this nearness. The three swords in the heart above her point to injuries.

She does not seem to enjoy the beauty of the two flowers, the heads of which she has just cut off. She will perhaps be sorry later. Her books are sacred and she also writes down her thoughts. One can imagine how beautiful her hair is, which she has not completely hidden under her helmet.

The sword is rising out of the water. The blue colour in the picture symbolises clarity. The three different coloured butterflies indicate different thoughts and the perception of difference. One butterfly is sitting on the tip of the sword, a symbol of decision. The halo supports the impression of clarification and purification.

The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.

The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.

Wealth and poverty are separated by a wall. The rich man is wearing white gloves. He doesn't want to get his fingers dirty. The poor man has a missing middle-finger, the centre has been lost. His stick is brittle.

The colour blue separates the colours red and yellow from brown and green. The yellow is similar to gold. Red used to belong to the most expensive colours. Green is also the colour of mould and brown is the colour which at first appears to be inert.

The candle is helping the poor man to find sense and the distant path, as far as he is aware of them.

The picture has the effect of being rather poor and harsh. The blue colours represent coolness, but due to the red and yellow one can sense a certain energy, which also appears in Aries' head at the corner of the throne, connected astrologically with the Emperor.

The card's number four, which also represents the element earth, can be found in the house in the square of rocks and the crown also shows four spikes and four stones. Further symbols of the Emperor are an orb (symbol of world dominion) and a form of sceptre (symbol of materialism in life).

In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.

The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.

The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.

He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.