Horse Shoe Spread

Difficulty: Easy

The Horse Shoe is a classic tarot spread. It is more advanced than the three-card reading, yet simpler than most other spreads. It is a versatile method that can be used for most queries, though there are other spreads which would go into more depth. Like the simple Past, Present, and Future spread, it contains these cards in positions #1, #2, and #7, but also has four other tarot cards that help the reader understand how to deal with the future better. The cards are to be read as follows:

1. The Past: Past events affecting the question.
2. The Present: The current state or approaching influence.
3. Hidden Influences: Things the reader may not be aware of (or barely be aware of).
4. Obstacles: This is the challenge: obstacles may be avoided or may have to be dealt with.
5. External Influences: Attitudes and thoughts regarding people around the reader.
6. Suggestions: Recommended course of action.
7. Outcome: The result of following the suggestions.

Your Horse Shoe Reading

	Obstacle The Moon
Hidden Influences 2 of Wands		External Influences 5 of Wands
The Present Strength		Suggestion The World
The Past 9 of Coins		The Outcome Judgement

A pile of pentacles is being held by two hands. The scene looks like a rich garden, protected by a wall. Grapes in the foreground and valuable rings on both of the hands emphasise the impression of wealth.

The bird of prey has many different faces. It is protecting what it has seized. Its figure alone makes a good impression. However, it is also a bird which captures its prey, as its name indicates.

A sceptre and a sword seem to be fighting. Water and fire, portrayed in striking red, stand for subconscious strength. They are kept under control by the symbols of earth and air, the conscious elements, portrayed by the sword (clarity), the house (stability) and the wall (limits, firmness). The violet colour of the wall also shows a penetration of the colours red and blue.

The trees also contain this mixture of the elements, but they are growing cautiously as well as the clouds, water, which so to speak, becomes air (gaseous). They also stand for integration, which on the one hand makes us more flexible but on the other hand obscures things. The lemniscates, which can be seen clearly in magic, can be found in the two trees in the top left corner. It illustrates swinging into the next bend.

The picture shows coloured energy as well as a certain pallor. The brown colour suggests to us, stuck in the earth, that the right wand could help us.

The hand appears to be hesitant, the waning moon points to fear, the flag of parliament indicates false compromises. The waves in the middle show the situation's emotions.

This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.

The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.

The beam of a building or some construction shows a definite crack and looks as if it will soon break; therefore, there is need for action. Five different coloured hands are trying to mend it by supporting the beam with stakes. But they are lacking in coordination and a united aim. One has the impression that the stakes could form an upside-down five-pointed star.

The eye is the same as that on the Magician's card, but the wish to develop is not portrayed any more. The oval wreath suggests the unification of polarities, as with the Lovers, but here the unification actually takes place.

The symbols for the four elements are collected around the oval and are reconcilably united together. The blue colour of the background symbolises consciousness and clarity.

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.