The Golden Dawn or Thoth Method

Difficulty: Complicated

Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.

The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.

In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.

As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.

Card #1 represents the reader and the nature of the topic at hand.

Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.

The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.

Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.

Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.

Your Golden Dawn Reading

The Alternate Path (or Extension of Current Path)				Your Current Path
3 of Swords	The Hierophant	8 of Coins		5 of Wands	4 of Wands	Prince of Wands
		The Querent
		Princess of Cups	Temperance	Ace of Cups
The Psychological Basis				Karma
9 of Cups	The Lovers	King of Swords		Judgement	The Moon	9 of Swords

The Querent

cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.

The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)

Waves emboss the picture and the princess‘ hair and the night-sky move with them. The moon and stars indicate intuition and emotionality.

The eyes seem to mirror the night-light, and also point to the personal inner starry sky. The hearts in the picture speak for themselves and the three fish suggest approaching materialism.

Water is formed from a cloud, due to condensation, and is dripping into a cup. Through this the relationship between water and its opposite energy air is portrayed. If we look carefully all the four elements are present here: water=Water, cup= Earth, cloud= Air and the liberated energy = Fire.

Your Current Path

The beam of a building or some construction shows a definite crack and looks as if it will soon break; therefore, there is need for action. Five different coloured hands are trying to mend it by supporting the beam with stakes. But they are lacking in coordination and a united aim. One has the impression that the stakes could form an upside-down five-pointed star.

The colours portray richness of energy as well as naturalness and balance. The trees are young, which shows the garden has just been laid out. The small fir tree, put up for the topping-out ceremony, is still standing on the roof of the house.

The garden-gate is open and the hand is making an inviting gesture. The wall, however, gives a certain amount of protection and the door can also be closed.

The number four, noticeable in the clouds, in the number of trees and the style of the building stones, emphasise materialism. The mountains in the background indicate that this is most probably not the last project of its sort.

The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.

He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.

The Alternate Path

The colours red, blue and gray are all mixed together in this scene. Clarity fills the whole picture, but the emotions also play a role. The ten wands in the background are all mixed up.

A cloud obscures or overshadows the scene. The two drops of water show condensation, as the cloud is being influenced by the sword. These drops also represent tears.

The three swords point to a spot on the heart. It is unclear whether they are damaging it, yet one can see a drop of blood.

The pentahedral star in the picture shows how the four elements, which appear in the four lower rays, come into contact with spiritualism. This is represented in the uppermost point by God's eye, in the iris of which the Wheel of Fortune is alluded to. The violet background underlines the principle of spiritualism.

The labyrinth in the middle of the star points to the search for the meaning, which by way of the heart is also a search for the centre. The two hands at the top represent the obvious (exoteric) and the concealed (esoteric). The praying hands at the bottom symbolise the pupil.

Four pentacles are already completed and are standing under the table. They are the pentacles from the first four Pentacle cards.

The hour-glass shows that time is still needed for the work. The handle of the tool looks like a wand and indicates that, with the necessary commitment (small flame), success will slowly develop (leaf). The storm announces the future success.

The Psychological Basis

The content of the nine cups is being poured over the picture and meets in a whirlpool in the middle. Three colours refer to the number three, out of which the number nine (3x3) exists. Notes (music/art), grapes (food/drink) and a heart (love/friendship) stand for areas which contain pleasure and well-being.

The colour red points to warmth, blue symbolises refreshment. The colour green can be understood as referring to a negative aspect on the card e.g., exaggerated personal pleasure.

The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.

The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.

The throne-room looks very tidy, but at the same time very bare. The throne itself has hardly any decoration. The king is protecting himself by his complete dress; his coat of mail can be seen under his shirt; on his chest he is wearing the sign of Libra, an indication of his connection with justice and his role as a judge.

The two butterflies above him indicate that he shows a tendency towards black and white-thinking. The crown, with its three points, refers to the third element, air. His sword is not completely straight and the square tiles in the background emphasise, through the different tones of red, that life cannot be locked away into boxes.

Karma

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.

This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.

The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.

The swords look like teeth, which at any moment could bite. The hands are held up for protection. The eye wants to open, but its vision is obstructed.

The waning moon emphasises the existing fear. The sunrise is at hand. Roses promise development, joy of life and the coming forth of emotions in the near future.