The Golden Dawn or Thoth Method

Difficulty: Complicated

Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.

The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.

In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.

As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.

Card #1 represents the reader and the nature of the topic at hand.

Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.

The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.

Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.

Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.

Your Golden Dawn Reading

The Alternate Path (or Extension of Current Path)				Your Current Path
Death	Prince of Wands	9 of Coins		8 of Coins	The Fool	Princess of Cups
		The Querent
		8 of Cups	7 of Swords	The High Priestess
The Psychological Basis				Karma
Temperance	10 of Wands	2 of Cups		Ace of Wands	The Hanged Man	3 of Wands

The Querent

cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.

The left hand points to the new path towards intuition and the subconscious. The colours correspond with those of the Cups. The right hand tends to turn towards the swords. This area is dominated by the colour blue. The question is how many swords should be taken on the journey.

Seven cups are covered with a cloth, so that they won't be damaged during absence. A cup is being held in the left hand and a sword in the right. They look like a complementary couple.

There is water to the right and left of the path and one must take care not to tread in it. In the background we can see the Hermit's hut and several hills, which could turn out to be mountains. The waxing moon shows uncertainty. The journey might not be too easy.

The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.

The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.

Your Current Path

Four pentacles are already completed and are standing under the table. They are the pentacles from the first four Pentacle cards.

The hour-glass shows that time is still needed for the work. The handle of the tool looks like a wand and indicates that, with the necessary commitment (small flame), success will slowly develop (leaf). The storm announces the future success.

The bright colours symbolise many possibilities. The Fool is holding the pilgrim's staff in his hand. Water and fish indicate openness and vivacity. The butterflies also indicate different ideas and a joy of living.

The golden yellow background gives the scene energy of life. One can see the tip of the Fool's cap. The cross, or rather the handle of the sword in the background, gives an awareness of danger, which is lurking along the path the Fool is going to take.

Waves emboss the picture and the princess‘ hair and the night-sky move with them. The moon and stars indicate intuition and emotionality.

The eyes seem to mirror the night-light, and also point to the personal inner starry sky. The hearts in the picture speak for themselves and the three fish suggest approaching materialism.

The Alternate Path

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.

He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.

A pile of pentacles is being held by two hands. The scene looks like a rich garden, protected by a wall. Grapes in the foreground and valuable rings on both of the hands emphasise the impression of wealth.

The bird of prey has many different faces. It is protecting what it has seized. Its figure alone makes a good impression. However, it is also a bird which captures its prey, as its name indicates.

The Psychological Basis

The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)

The intensity of the Nine of Wands diminishes in the Ten of Wands. The colours are paler; it seems more difficult to hold the wands together; at the same time the small flames are burning both hands, the leaves are beginning to wither.

The two faces and the two cups seem together to form an entirety. The difference between them is shown, among other things, through the colours, which, in each case, mirror the opposite.

Two fish in the water also suggest dualism in the unity. In the same way, the heart at the top, made of two parts, becomes one at the bottom. The suggestion of an angel above the heads supports the same theme.

Karma

The orangey yellow colour of the picture emphasises energy and liveliness. A wand is growing out of the ground. Liveliness grows out of stability, which gives security and nutrition.

The leaf indicates slow change, but the fire indicates a definite basic change and dissolving of processes. The heart, which seems to be inside the flame, pronounces love' passion. Energy-rays are hinted at through the wand's aura. The field of corn in the background gives a further reference to growth and fertility.

The sole of the foot is turned upwards, the world is turned upside down. This is what the picture shows. The beam and the rope are blue. Rationality, an attempt to consciously act, binds the hanged man. But here there also seems to be hope. Leaves are growing out of wood.

The colour yellow at the bottom of the picture stands for the light which the hanged man experiences when he manages to let himself fall. The wide path in the background leads to a dead-end against blue rocks. Walking back a bit one can find a narrow track which leads around the rocks back into the light. The violet background portrays the night sky. Normal vision is not carried any further.

In front of the rising sun the first posts are being erected for the building of a new house. The hand has taken a firm hold of the wand; part of the wall has already been erected.

The wall symbolises the appearance of our conceptions. The mountains in the background show the definite ideas and conceptions that will materialise in the future.