The Golden Dawn or Thoth Method

Difficulty: Complicated

Note: Tarot decks that use reversed cards such as the Rider-Waite do not work well with this spread, which was designed to be read using elemental dignity.

The Golden Dawn spread is best suited for use with the bifrost Tarot and especially the Book of Thoth, as these decks are meant to be read a certain way with the court cards. Princes and queens represent actual men and women connected with the matter, while princesses generally represent ideas; thoughts or opinions, and knights represent arrival or departure of a matter depending on the direction faced.

In this tarot spread, particular attention should be paid to a card's exact position in relation to its neighbours. Whether the neighbour cards bear the same energy (suit) determines whether a card is considered well-dignified or ill-dignified. Opposite suits ill-dignify each other, while other suits are considered friendly. Tarot cards of the same suit or element strengthen each other.

As with other tarot spreads, it is important to count the cards' tendencies, such as whether there is a lot of one particular suit or number pattern. The patterns reveal special messages. Having several majors present indicates higher forces at work, several cups suggest strong emotions, etc.

Card #1 represents the reader and the nature of the topic at hand.

Cards #2 & #3 are read in extension of #1 to further comprehend the nature of the topic.

The two sets of three tarot cards at the top of the spread represent chronological sets of events. The current path as it would unfold naturally is represented by cards #4, #8, & #12. The alternate path that could be taken is represented by cards #13, #9, & #5. However, if the reader gets the feeling these cards are telling them they go together, then the alternate path is to be considered an extension of the current path, and to be read chronologically in this order: #4, #8, #12, #13, #9, #5. Just keep in mind: this is only if the two paths seem particularly similar.

Cards #14, #10, & #6 shed light upon the psychological undertones of the current issue.

Cards #7, #11, & #15 represent the influences of karma and destiny beyond the reader's control. These cards suggest adapting to this, as fate.

Your Golden Dawn Reading

The Alternate Path (or Extension of Current Path)				Your Current Path
6 of Coins	Prince of Wands	3 of Coins		4 of Wands	The Wheel of Fortune	Prince of Cups
		The Querent
		The High Priestess	7 of Wands	Princess of Coins
The Psychological Basis				Karma
The Devil	10 of Coins	5 of Cups		8 of Swords	6 of Swords	The Moon

The Querent

cards represent the querent and the nature of the topic at hand. The first card (in the center of the spread) represents the very core of the matter, and the other two cards around it are added to it in order to further comprehend the nature of the topic.

The beam in the Five of Wands picture has been supported. On this card a hand has taken over the leadership and restrained the different impulses from the other five hands, or as the case may be, straightened them up so that they cannot cause any more damage to the successful work. The top and the bottom of the picture show the two sides of the number seven.

The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.

The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.

The many different types of mushrooms fascinate the princess. Each one of them is like a precious stone. She collects everything she finds without considering what to do with them. As one can see, some of the mushrooms are poisonous. Her curiosity and openness can also be a danger to her.

She is in the country. The busy mice look like friends or brothers and sisters.

Your Current Path

The colours portray richness of energy as well as naturalness and balance. The trees are young, which shows the garden has just been laid out. The small fir tree, put up for the topping-out ceremony, is still standing on the roof of the house.

The garden-gate is open and the hand is making an inviting gesture. The wall, however, gives a certain amount of protection and the door can also be closed.

The number four, noticeable in the clouds, in the number of trees and the style of the building stones, emphasise materialism. The mountains in the background indicate that this is most probably not the last project of its sort.

In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.

The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.

By winking, the prince is trying to make the marshy spot more attractive for a bathe. The content of his cup doesn't look like water. The sun brightens the scene, although the first cloud has already appeared.

The Alternate Path

The rich man is reaching over the wall and giving away the surplus of his material goods. The poor man is giving something back; it is unclear how. There is a candle on the side of the rich man, which was concealed on the Five of Pentacles. An unbroken circle of energy emerges.

The prince appears unexpectedly in the picture. We are slightly alarmed. He looks as though he were made of fire and he seems to be setting his surroundings on fire.

He is lifting his wand as though to fight and moves everything out of his way. But the purple vase, which he has broken in his haste, might have perhaps been useful to him. He hardly notices it; the contents are now lost. In the background a volcano is erupting and pouring its lava over the picture.

The picture shows an attestation as a symbol of real development and change, framed by symbols of different areas of life: a fish, sausages, a hammer and compass for handicrafts, a lute, a palette and brushes for art, a book for knowledge, appreciation and education, the two hands for social understanding.

The Psychological Basis

The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.

The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.

The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).

The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.

Three cups are spilling their contents. The other two are collecting what is lost, suggesting that nothing can really be lost. Nevertheless, the spill is important so that a change can take place.

The tower and the star refer to the cards, which are following the devil, which is related to the five cups. The flames in the tower can be understood as a heart. If the observer turns round, he will take the path in the right direction and will not look back.

Karma

The swords look like a cage. The eye is closed; it is looking into the inner vision; it is trying not to be aware of its own feelings. Some of the fingers are being dipped in the water; there is already contact here. The colours blue and pink show the strong contrast between understanding and emotions, which are trying clear the way for themselves.

The hand is fairly big, which makes the boot seem small and unsteady. It is consciously trying to keep in contact with the water and the creatures living in it.

Six swords are on board and are supposed to be giving protection. The scene is dark and a little sinister. The colours portray a mixture of emotionality and consciousness. The moon is waxing. The path through uncertainties and fears can take time.

This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.

The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.