Celtic Cross Spread

Difficulty: Average

This is probably the most well-known tarot spread. A good, basic spread for beginners to practise with, the Celtic Cross is useful for questions of all types. In this spread, it can be helpful to notice the relationships between the pairings of cards #5 & #9, #1 & #2, #3 & #4, and #6 & #10.

1. The significator epitomizes what the reading deals with, the initial situation.
2. An added impulse that compounds the significator, which may be either complimentary or contradictory.
3. This is what is consciously known (thoughts).
4. Unconscious driving forces that may not be known fully (emotions).
5. The immediate past regarding the current situation.
6. The first future card indicates the immediate future.
7. This card represents the reader and their attitude towards cards #1 and #2.
8. The external influences, the places and people which influence the topic.
9. This tarot card suggests expectations; what is secretly hoped for or feared.
10. The second future card reveals the long-term outcome.

Your Celtic Cross Reading

	The Crown The Devil		The Outcome Judgement Hopes and Fears The Empress External Forces 10 of Coins The Querent The Hierophant
The Recent Past Ace of Cups	The Crossing Card The Hanged Man The Significator 4 of Coins	The Future 8 of Coins
	Foundation card The World

The safe symbolises the need for protection. Certain themes are referred to: money, possessions, love and relationships. The star stands for the vision, which is worth holding on to.

The blue-and-white checked-pattern portrays narrow-mindedness through misunderstood reliability. At the bottom of the picture the devil's horns and some hell-fire have found their place, illustrating dependence.

The sole of the foot is turned upwards, the world is turned upside down. This is what the picture shows. The beam and the rope are blue. Rationality, an attempt to consciously act, binds the hanged man. But here there also seems to be hope. Leaves are growing out of wood.

The colour yellow at the bottom of the picture stands for the light which the hanged man experiences when he manages to let himself fall. The wide path in the background leads to a dead-end against blue rocks. Walking back a bit one can find a narrow track which leads around the rocks back into the light. The violet background portrays the night sky. Normal vision is not carried any further.

The colours black and white show the limits of a polarity, a disconnection, which cannot be outdone. The subconscious has no connection with the conscious. The burning fire points to the fact that the devil is linked with pain and torture.

The five-pointed star is upside down. The goat's horns are pointing downwards; classical symbols of the devil. The square oven symbolises the dependence on material things. Two clenched fists are chained together. Each can free the other whereby freeing itself, but only if it is brave enough to take the key from the fire. For this it has to open its hand.

The eye is the same as that on the Magician's card, but the wish to develop is not portrayed any more. The oval wreath suggests the unification of polarities, as with the Lovers, but here the unification actually takes place.

The symbols for the four elements are collected around the oval and are reconcilably united together. The blue colour of the background symbolises consciousness and clarity.

Water is formed from a cloud, due to condensation, and is dripping into a cup. Through this the relationship between water and its opposite energy air is portrayed. If we look carefully all the four elements are present here: water=Water, cup= Earth, cloud= Air and the liberated energy = Fire.

The sole of the foot is turned upwards, the world is turned upside down. This is what the picture shows. The beam and the rope are blue. Rationality, an attempt to consciously act, binds the hanged man. But here there also seems to be hope. Leaves are growing out of wood.

The colour yellow at the bottom of the picture stands for the light which the hanged man experiences when he manages to let himself fall. The wide path in the background leads to a dead-end against blue rocks. Walking back a bit one can find a narrow track which leads around the rocks back into the light. The violet background portrays the night sky. Normal vision is not carried any further.

The pentahedral star in the picture shows how the four elements, which appear in the four lower rays, come into contact with spiritualism. This is represented in the uppermost point by God's eye, in the iris of which the Wheel of Fortune is alluded to. The violet background underlines the principle of spiritualism.

The labyrinth in the middle of the star points to the search for the meaning, which by way of the heart is also a search for the centre. The two hands at the top represent the obvious (exoteric) and the concealed (esoteric). The praying hands at the bottom symbolise the pupil.

The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).

The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.

The illustration represents growth, nature and fertility. One can see certain fruits, including two pomegranates (fertility). The ears of corn represent the Empress' secret crown. The apple is in the shape of a heart. The three fish in the water symbolise feelings and emotionalism, as well as the Empress' figure three.

The illusion of a bowl, in which the fruit is lying, can be connected with conception, the uterus and with pregnancy. The trees present slow growth. The Empress is holding her sceptre in her left hand.

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.