Celtic Cross Spread

Difficulty: Average

This is probably the most well-known tarot spread. A good, basic spread for beginners to practise with, the Celtic Cross is useful for questions of all types. In this spread, it can be helpful to notice the relationships between the pairings of cards #5 & #9, #1 & #2, #3 & #4, and #6 & #10.

1. The significator epitomizes what the reading deals with, the initial situation.
2. An added impulse that compounds the significator, which may be either complimentary or contradictory.
3. This is what is consciously known (thoughts).
4. Unconscious driving forces that may not be known fully (emotions).
5. The immediate past regarding the current situation.
6. The first future card indicates the immediate future.
7. This card represents the reader and their attitude towards cards #1 and #2.
8. The external influences, the places and people which influence the topic.
9. This tarot card suggests expectations; what is secretly hoped for or feared.
10. The second future card reveals the long-term outcome.

Your Celtic Cross Reading

	The Crown King of Coins		The Outcome The Tower Hopes and Fears 10 of Coins External Forces 10 of Cups The Querent 8 of Swords
The Recent Past 2 of Wands	The Crossing Card Death The Significator 3 of Wands	The Future 6 of Wands
	Foundation card 8 of Wands

In front of the rising sun the first posts are being erected for the building of a new house. The hand has taken a firm hold of the wand; part of the wall has already been erected.

The wall symbolises the appearance of our conceptions. The mountains in the background show the definite ideas and conceptions that will materialise in the future.

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The king is sitting in front of his magnificent castle with its well-kept but simple park. He is proud of it and feels confident. He is aware of what he has achieved and he knows how to manage his estate.

The sketch quotes the picture from the Raider-Waite deck. Eight wands are flying through the air.

The picture shows coloured energy as well as a certain pallor. The brown colour suggests to us, stuck in the earth, that the right wand could help us.

The hand appears to be hesitant, the waning moon points to fear, the flag of parliament indicates false compromises. The waves in the middle show the situation's emotions.

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The swords look like a cage. The eye is closed; it is looking into the inner vision; it is trying not to be aware of its own feelings. Some of the fingers are being dipped in the water; there is already contact here. The colours blue and pink show the strong contrast between understanding and emotions, which are trying clear the way for themselves.

The sprouting seed refers to actual growth. The heart leads two ends together into a point. The house offers an outward protection for a partnership for life.

The child (small hand) shows itself as being an actual product of its parents' love. The snake suggests that the child will carry this cycle on, one day, as a parent.

The pentacles can be found inside and outside the town, as fruits on trees, as an exchange object, as a value which can bring us beauty, knowledge, nutrition or culture, by us exchanging these values, if necessary, with the help of payment (money).

The wise man knows that only by exchanging our goods amongst ourselves can we make a rich community. One pentacle shows an upside-down pentagram.

A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.

The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.