Celtic Cross Spread

Difficulty: Average

This is probably the most well-known tarot spread. A good, basic spread for beginners to practise with, the Celtic Cross is useful for questions of all types. In this spread, it can be helpful to notice the relationships between the pairings of cards #5 & #9, #1 & #2, #3 & #4, and #6 & #10.

1. The significator epitomizes what the reading deals with, the initial situation.
2. An added impulse that compounds the significator, which may be either complimentary or contradictory.
3. This is what is consciously known (thoughts).
4. Unconscious driving forces that may not be known fully (emotions).
5. The immediate past regarding the current situation.
6. The first future card indicates the immediate future.
7. This card represents the reader and their attitude towards cards #1 and #2.
8. The external influences, the places and people which influence the topic.
9. This tarot card suggests expectations; what is secretly hoped for or feared.
10. The second future card reveals the long-term outcome.

Your Celtic Cross Reading

	The Crown The Tower		The Outcome Death Hopes and Fears 5 of Wands External Forces Temperance The Querent 8 of Coins
The Recent Past King of Wands	The Crossing Card 6 of Swords The Significator 3 of Coins	The Future 5 of Swords
	Foundation card Ace of Cups

The picture shows an attestation as a symbol of real development and change, framed by symbols of different areas of life: a fish, sausages, a hammer and compass for handicrafts, a lute, a palette and brushes for art, a book for knowledge, appreciation and education, the two hands for social understanding.

The hand is fairly big, which makes the boot seem small and unsteady. It is consciously trying to keep in contact with the water and the creatures living in it.

Six swords are on board and are supposed to be giving protection. The scene is dark and a little sinister. The colours portray a mixture of emotionality and consciousness. The moon is waxing. The path through uncertainties and fears can take time.

A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.

The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.

Water is formed from a cloud, due to condensation, and is dripping into a cup. Through this the relationship between water and its opposite energy air is portrayed. If we look carefully all the four elements are present here: water=Water, cup= Earth, cloud= Air and the liberated energy = Fire.

The wall confines the fire and bundles it up. Its violet colour shows that it has been built consciously and with spiritual energy, intent on higher ideals.

The triangle on the square shows the ideal integration of divinity and mortality. The fish in the fiery water indicates fiery emotionality as the basis for materialism. The symbol of the wand is recognised by the nine-fold loop on the back of the card.

The hand is fairly big, which makes the boot seem small and unsteady. It is consciously trying to keep in contact with the water and the creatures living in it.

Six swords are on board and are supposed to be giving protection. The scene is dark and a little sinister. The colours portray a mixture of emotionality and consciousness. The moon is waxing. The path through uncertainties and fears can take time.

Four pentacles are already completed and are standing under the table. They are the pentacles from the first four Pentacle cards.

The hour-glass shows that time is still needed for the work. The handle of the tool looks like a wand and indicates that, with the necessary commitment (small flame), success will slowly develop (leaf). The storm announces the future success.

The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)

The beam of a building or some construction shows a definite crack and looks as if it will soon break; therefore, there is need for action. Five different coloured hands are trying to mend it by supporting the beam with stakes. But they are lacking in coordination and a united aim. One has the impression that the stakes could form an upside-down five-pointed star.

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.