Ankh Spread

Difficulty: Kind of tough

The Ankh Spread is for questions about the causes behind trends. It is similar to the Celtic Cross and Secret of the High Priestess spreads, but it covers the reasons behind the circumstances in question differently, perhaps giving a better explanation of why things are the way they are.

The loop of the upper section of the ankh reveals the spiritual background and causes of the situation, while the stem of the base focuses on prospects for the outcome.

The first two tarot cards represent the two parent causes of the situation. They will either complement each other or show two opposing sides of a conflict, depending on how they relate. These are the significator cards of the Ankh spread.

3. This tarot card shines light upon the early causes of the trend in question.

4. Pinpoints the causes that triggered the current situation.

5. Reveals the spiritual perspective of the subject at hand.

6. This card examines the reasons why this course of action had to unfold, as a means to this end.

At this point, it is good to pause to soak in the meaning of the first six cards before moving forward to the last three cards. The last three reveal prospects for the future.

7. The Next Step gives clues about the immediate future.

8. Surprising Experiences encountered en route to the result.

9. This represents the result.

Your Ankh Reading

Early Causes	Higher Perceptions The Wheel of Fortune	Triggering Causes
The World	Necessary Conclusions	The Emperor
Significator #1	Judgement	Significator #2
The Empress	Next Step	Death
	The Moon
	Surprising Experiences The Lovers
	Outcome The Hermit

The illustration represents growth, nature and fertility. One can see certain fruits, including two pomegranates (fertility). The ears of corn represent the Empress' secret crown. The apple is in the shape of a heart. The three fish in the water symbolise feelings and emotionalism, as well as the Empress' figure three.

The illusion of a bowl, in which the fruit is lying, can be connected with conception, the uterus and with pregnancy. The trees present slow growth. The Empress is holding her sceptre in her left hand.

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The eye is the same as that on the Magician's card, but the wish to develop is not portrayed any more. The oval wreath suggests the unification of polarities, as with the Lovers, but here the unification actually takes place.

The symbols for the four elements are collected around the oval and are reconcilably united together. The blue colour of the background symbolises consciousness and clarity.

The picture has the effect of being rather poor and harsh. The blue colours represent coolness, but due to the red and yellow one can sense a certain energy, which also appears in Aries' head at the corner of the throne, connected astrologically with the Emperor.

The card's number four, which also represents the element earth, can be found in the house in the square of rocks and the crown also shows four spikes and four stones. Further symbols of the Emperor are an orb (symbol of world dominion) and a form of sceptre (symbol of materialism in life).

In the middle of the diagram three discs can be seen. I often use the number three in the descriptions as a basic universal number. The inner disc is blank. On the second disc we can make out the hourly Roman numerals. They appear anticlockwise to show that time's direction is relative.

The signs of the zodiac on the outer disc show a further meaning for the course of time. Around these discs or rings, as though one could present them how one liked, the four elements are arranged. They seem to be rotating and moving in a circle from light into dark and back again.

Classical symbols are also used here. Five graves are opening up, out of which stretches a hand to awaken a new life. The implication of the archangel Gabriel is blowing the trumpet of the Resurrection. One of the hands shows three fingers, which portrays a release from the grave's number four. It is also a gesture of the Hierophant.

The number five, shown by the number of hands and flowers, points to entirety. The aim is to see material things as being divine, so as to unite them and not to damn them and so create a new division. The flowers are about to bloom and through their colours the subjects of integration and entirety are emphasised again.

This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.

The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.

The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.

The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.

The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.

The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.