Ankh Spread

Difficulty: Kind of tough

The Ankh Spread is for questions about the causes behind trends. It is similar to the Celtic Cross and Secret of the High Priestess spreads, but it covers the reasons behind the circumstances in question differently, perhaps giving a better explanation of why things are the way they are.

The loop of the upper section of the ankh reveals the spiritual background and causes of the situation, while the stem of the base focuses on prospects for the outcome.

The first two tarot cards represent the two parent causes of the situation. They will either complement each other or show two opposing sides of a conflict, depending on how they relate. These are the significator cards of the Ankh spread.

3. This tarot card shines light upon the early causes of the trend in question.

4. Pinpoints the causes that triggered the current situation.

5. Reveals the spiritual perspective of the subject at hand.

6. This card examines the reasons why this course of action had to unfold, as a means to this end.

At this point, it is good to pause to soak in the meaning of the first six cards before moving forward to the last three cards. The last three reveal prospects for the future.

7. The Next Step gives clues about the immediate future.

8. Surprising Experiences encountered en route to the result.

9. This represents the result.

Your Ankh Reading

Early Causes	Higher Perceptions The World	Triggering Causes
The Star	Necessary Conclusions	Death
Significator #1	The Chariot	Significator #2
The Moon	Next Step	The Hermit
	The High Priestess
	Surprising Experiences The Sun
	Outcome The Magician

This illustration, as with the previous ones, is based on classical examples. The moon can be seen foreshadowing its warmer and brighter side. Both towers, right and left of the path, are an indication of the Holy Jerusalem. The violet colour promises spiritual experience. To reach them the path leads past the wolf, which symbolises danger. The protecting force is portrayed by the dog, which appears lighter.

The crab, which is coming out of the water, describes the appearance out of the depths and the return to light. The crab also symbolises a character which has developed a strong contact to its emotions and intuition. Because of this it is very vulnerable and protects itself with armour and usually an extra covering.

The picture is kept fairly dark. The only light can be found in the star and the house. The moon, which does not shine itself, shows the occupation with the subconscious and the concealed which have to be discovered. The star shines itself, but is still too far away. It is the star the Hermit will follow as soon as he leaves the house. It is five-pointed, which forms a connection with the Hierophant's theme.

The picture's spirals in the trees, path and window turn in different directions and refer to the inward course. This can be consciously taken, turning to the right, or intuitively, turning to the left. The Hermit finds his light in the safety of the house. The fish (newly discovered emotions) are waiting outside for him. The direction of the path, which again follows outwardly, is not clearly evident. One can suspect strong emotions in the background, portrayed by moving water.

Nine stars are pointing towards a goal. The violet colour in the picture illustrates the spiritual atmosphere, the blue water and the fish symbolise clarity, flow of energy and liveliness, the path is well lit and seems to become easier and the sky is clearing to a light blue.

The signs of the Zodiac point towards methods, which are occupied with one's own future, and act as deputy for all oracle techniques.

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The eye is the same as that on the Magician's card, but the wish to develop is not portrayed any more. The oval wreath suggests the unification of polarities, as with the Lovers, but here the unification actually takes place.

The symbols for the four elements are collected around the oval and are reconcilably united together. The blue colour of the background symbolises consciousness and clarity.

The chariot itself is portrayed by the wheel. It has eight spokes, a symbol for the process of development. The shaft symbolises the centre and also the number nine, which completes the cycle. Hub and shaft are on fire and stand for sexual energy. Origin, the wheel's background, and destination, the celestial body's background, are the same colour, violet, which stands for the spiritual.

The dominating yellow in the picture depicts joy of living. The water at the bottom indicates frankness or naivety, but also emotions to be conquered, such as caution or fear. Black and white reins, held in the right and left hand, show different directions and ambivalences, which have to be brought into harmony to make the journey possible. The next part of the journey, which lies ahead of the coach driver, the material world, represented by green, square fields, opens up within all this.

Libra's symbol (justice) shows that one has to reckon with consequences for any mistakes. The section at the top leads into the night. The coach driver does not encounter the sun, as to be expected, but instead the moon and stars. He will meet intuition and the unconscious.

The two eyes indicate that the High Priestess perceives the polarity in their dualism but doesn't take any valuation into account. The light and the dark side can be seen, as well as the waning and waxing moon and the full-moon, which unites and contains both sides.

The water and the two fish also symbolise the connection, the flow of energy and the dualism. The feather stands for the High Priestess' sensitiveness, the pomegranate for her fertility.

The sun can be seen clearly and it dominates the picture. The last walls are being conquered and in between them flowers are already growing. This lets us suspect that the difficult path is at an end. The path, which continues, can already be seen beyond the wall.

The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.

The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.