Ankh Spread

Difficulty: Kind of tough

The Ankh Spread is for questions about the causes behind trends. It is similar to the Celtic Cross and Secret of the High Priestess spreads, but it covers the reasons behind the circumstances in question differently, perhaps giving a better explanation of why things are the way they are.

The loop of the upper section of the ankh reveals the spiritual background and causes of the situation, while the stem of the base focuses on prospects for the outcome.

The first two tarot cards represent the two parent causes of the situation. They will either complement each other or show two opposing sides of a conflict, depending on how they relate. These are the significator cards of the Ankh spread.

3. This tarot card shines light upon the early causes of the trend in question.

4. Pinpoints the causes that triggered the current situation.

5. Reveals the spiritual perspective of the subject at hand.

6. This card examines the reasons why this course of action had to unfold, as a means to this end.

At this point, it is good to pause to soak in the meaning of the first six cards before moving forward to the last three cards. The last three reveal prospects for the future.

7. The Next Step gives clues about the immediate future.

8. Surprising Experiences encountered en route to the result.

9. This represents the result.

Your Ankh Reading

Early Causes	Higher Perceptions The Lovers	Triggering Causes
Temperance	Necessary Conclusions	The Magician
Significator #1	The Empress	Significator #2
Death	Next Step	The World
	The Hanged Man
	Surprising Experiences The Tower
	Outcome The Sun

The circuit of coming and going is symbolised by the serpent, which frames the picture and bites its own tail. The red background portrays sunset, or as the case may be, sunrise. The house and the tree, representatives for the element earth, have fallen into decay and are bare. The three tombstones show the headgear of the pope, the king and the farmer. At death there is no difference.

The skeleton's hand comes from the left and holds a blue scythe, which seems to be a mixture between a sceptre and a sword. The leaf, which is growing out of it, shows that death, due to its quality allowing old things to fade away, makes new growth possible.

The water symbolises the river Styx, which has to be crossed at death so as to reach the next world. The colour blue in the picture stands for disconnection and purification. Like its younger brother sleep, death also has a cleansing property, which is particularly emphasised by the whiteness of the skeleton's hand and the blade of the scythe. What is interesting (I only realised later) is that the scythe's blade itself gives the hint of a crescent moon.

The eye is the same as that on the Magician's card, but the wish to develop is not portrayed any more. The oval wreath suggests the unification of polarities, as with the Lovers, but here the unification actually takes place.

The symbols for the four elements are collected around the oval and are reconcilably united together. The blue colour of the background symbolises consciousness and clarity.

The path through the underworld can be seen which eventually leads into light. The path is edged with lilies, the underworld flowers. The abstract archangel Michael is helping to find the right composition for the flow of energy, in other words is on the way through the subconscious (forgotten) to keep a minimal contact going with the conscious e.g., by transmission (documents...)

The symbols of all the elements are shown on the picture as possibilities. The eye, with its triangular shape, refers to the Holy Trinity. It seems as though it has just opened and one can recognise the spokes of the Wheel of Fortune in its iris.

The ribbon of eternity shows us how all possibilities can develop in waves out of the one item. The red background supports the energy of the illustration.

The picture shows the connection with the opposite theme represented by two circles (blue = conscious) which combine to form an oval. The oval represents striving for unity on a higher level. The two hands stand for polarity and the confrontation with the tree of eternity and the tree of knowledge (of good and evil) with heart-shaped fruit. The serpent is coiled up at the foot of the tree of knowledge.

The yellow background emphasises the energy of the moment. Fish and water show the duality again and the produced flow of energy. The archangel Raphael watches over everyone with his blessing, indicated by God's eye.

The illustration represents growth, nature and fertility. One can see certain fruits, including two pomegranates (fertility). The ears of corn represent the Empress' secret crown. The apple is in the shape of a heart. The three fish in the water symbolise feelings and emotionalism, as well as the Empress' figure three.

The illusion of a bowl, in which the fruit is lying, can be connected with conception, the uterus and with pregnancy. The trees present slow growth. The Empress is holding her sceptre in her left hand.

The sole of the foot is turned upwards, the world is turned upside down. This is what the picture shows. The beam and the rope are blue. Rationality, an attempt to consciously act, binds the hanged man. But here there also seems to be hope. Leaves are growing out of wood.

The colour yellow at the bottom of the picture stands for the light which the hanged man experiences when he manages to let himself fall. The wide path in the background leads to a dead-end against blue rocks. Walking back a bit one can find a narrow track which leads around the rocks back into the light. The violet background portrays the night sky. Normal vision is not carried any further.

A small ray of light shines through a crack in the wall and arouses our yearning for freedom and knowledge. The prison walls burst open and we can escape. We have already taken hold of the sword which stands for differentiation, consciousness and independent thought.

The monarch's insignia of the Emperor shows we are prepared to reconquer the seat on our own throne.

The sun can be seen clearly and it dominates the picture. The last walls are being conquered and in between them flowers are already growing. This lets us suspect that the difficult path is at an end. The path, which continues, can already be seen beyond the wall.